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Contermporary Dutch drama
Zbuzková, Andrea ; Krol, Ellen Jacoba (advisor) ; Sedláčková, Lucie (referee)
The aim of my thesis is to approach the specifics of current Dutch drama. First part of my paper is based on the theoretical work of Hans-Thies Lehmann, Hugo Brems and Anja Krans describing the development of drama in Netherland covering the year 1969 to the turn of the millennium. Moreover, I am focusing on the major events, trends and characteristics following this period as well as explaining the term "post-dramatic theatre ", which I closely characterize. I've been following the change of the cooperation between dramatists and theatre groups regarding contemporary drama. In the second, practical part of my work I investigate whether or not the thoughts of the above mentioned theatre scientists and theorists are valid (and if so to what extend). I have examined this on a few pieces of work of four selected Dutch dramatists (Esther Gerritsen, Rob de Graaf, Maria Goos, Gerardjan Rijnders). I shortly describe the content and identify the most significant ideas of their work. I use information obtained from studying the theoretical work, newspaper articles, reviews, interviews with the artists and even their dramas. In the conclusion of my thesis, I then gather all the knowledge obtained by readings and analysis in the practical part. Moreover, I am describing the position of the Dutch dramatists in...
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Reading for women in the Lada magazine
Kubínová, Eva ; Mocná, Dagmar (advisor) ; Brožová, Věra (referee)
The diploma thesis deals with the profile of fiction published in the magazine Lada on the turn of the nineteenth century into the twentieth. The chosen representative sample of six volumes stretching over the period of twenty years was thoroughly analyzed, focusing on the most important aspects of the individual prosaic contributions, which are the following: the theme, both the main and the supporting characters, the plots, the time and space dimension of the stories, the autor's style, the tuning of proses and their belonging to different artistic movements. Another perspective of interest to this project is the author's background, its changes over time and its influence on the overall orientation and appearance of the magazine, with the overall characteristics of it also included. The deeper, intellectual background reflected in the individual proses is also discussed. Given the fact that the publishing timeline extends over two different historical epochs, this final thesis strives to find answers to the question of to which extent the author's thinking was influenced by the historically social context, i.e. to what degree the authors adopt the modern, progressive ideas of the newly shaping society of the twentieth century, and conversely, to what extent both their opinions and thinking are...
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Contermporary Dutch drama
Zbuzková, Andrea ; Krol, Ellen Jacoba (advisor) ; Sedláčková, Lucie (referee)
The aim of my thesis is to approach the specifics of current Dutch drama. First part of my paper is based on the theoretical work of Hans-Thies Lehmann, Hugo Brems and Anja Krans describing the development of drama in Netherland covering the year 1969 to the turn of the millennium. Moreover, I am focusing on the major events, trends and characteristics following this period as well as explaining the term "post-dramatic theatre ", which I closely characterize. I've been following the change of the cooperation between dramatists and theatre groups regarding contemporary drama. In the second, practical part of my work I investigate whether or not the thoughts of the above mentioned theatre scientists and theorists are valid (and if so to what extend). I have examined this on a few pieces of work of four selected Dutch dramatists (Esther Gerritsen, Rob de Graaf, Maria Goos, Gerardjan Rijnders). I shortly describe the content and identify the most significant ideas of their work. I use information obtained from studying the theoretical work, newspaper articles, reviews, interviews with the artists and even their dramas. In the conclusion of my thesis, I then gather all the knowledge obtained by readings and analysis in the practical part. Moreover, I am describing the position of the Dutch dramatists in...
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